Tucked along the Washington coast in Long Beach, Neptune Movie House offers a rare kind of moviegoing experience—intimate, atmospheric, and deeply connected to its community. This independently owned theater blends classic charm with a quietly immersive setting, where the line between audience and story begins to blur. It’s the kind of space where films aren’t just watched, but felt—making it an ideal setting for Abductee, a film built on tension, isolation, and the unsettling question of what waits for us in the dark.

Set within the walls of a former 1915 elementary school, McMenamins Kennedy School Theater transforms a space once meant for structure and routine into something far more unpredictable. Now a fully reimagined auditorium—complete with murals, worn-in charm, and couches instead of classroom chairs—it offers an immersive, almost surreal moviegoing experience where the past lingers in the walls and the present feels slightly off-center. As the McMinnville UFO Festival takes over the region, the screening of Abductee precedes the festival—blurring the line between entertainment and experience, and inviting audiences deeper into a story that feels uncomfortably close to reality.

Located in the heart of downtown Astoria, Columbian Theater stands as a living piece of cinematic history—first opened in 1925 in the aftermath of the city’s great fire and evolving over the decades from vaudeville stage to independent movie house. Set in a town etched into film culture through classics like The Goonies, Short Circuit, and Kindergarten Cop, Astoria carries a legacy of stories that blur adventure with the unknown. Inside the Columbian, that legacy lingers in the walls—intimate, worn-in, and just a little unpredictable—making it the perfect place for Abductee, where the familiar slips into something unsettling and the line between memory and experience begins to break.

Located in the heart of downtown Astoria, Columbian Theater stands as a living piece of cinematic history—first opened in 1925 in the aftermath of the city’s great fire and evolving over the decades from vaudeville stage to independent movie house. Set in a town etched into film culture through classics like The Goonies, Short Circuit, and Kindergarten Cop, Astoria carries a legacy of stories that blur adventure with the unknown. Inside the Columbian, that legacy lingers in the walls—intimate, worn-in, and just a little unpredictable—making it the perfect place for Abductee, where the familiar slips into something unsettling and the line between memory and experience begins to break.

Steeped in history and quiet grandeur, the Scottish Rite Theater stands as a landmark of storytelling in the heart of Austin. With its vaulted architecture, rich woodwork, and echoes of performances past, the space carries a sense of presence that lingers long after the lights go down. Originally built for ritual, reflection, and gathering, it now serves as a stage for shared experience—where audiences are drawn into something larger than themselves. It’s the kind of environment where atmosphere does half the work, making it an ideal setting for Abductee, a film that thrives on tension, memory, and the feeling that something unseen is always just out of reach.

At the heart of Oklahoma City’s independent film scene, Rodeo Cinema stands as a refuge for films that don’t follow the traditional path. Known for championing under-the-radar titles, cult discoveries, and filmmaker-driven storytelling, the theater carries an energy that feels both curated and unpredictable. It’s the kind of place where audiences come not just to watch, but to find something. That spirit makes it a natural home for Abductee—a film built on uncertainty, obsession, and the quiet unraveling of what we think we understand.

At the heart of Oklahoma City’s independent film scene, Rodeo Cinema stands as a refuge for films that don’t follow the traditional path. Known for championing under-the-radar titles, cult discoveries, and filmmaker-driven storytelling, the theater carries an energy that feels both curated and unpredictable. It’s the kind of place where audiences come not just to watch, but to find something. That spirit makes it a natural home for Abductee—a film built on uncertainty, obsession, and the quiet unraveling of what we think we understand.

At the heart of Oklahoma City’s independent film scene, Rodeo Cinema stands as a refuge for films that don’t follow the traditional path. Known for championing under-the-radar titles, cult discoveries, and filmmaker-driven storytelling, the theater carries an energy that feels both curated and unpredictable. It’s the kind of place where audiences come not just to watch, but to find something. That spirit makes it a natural home for Abductee—a film built on uncertainty, obsession, and the quiet unraveling of what we think we understand.